Alice’s stomach trained by Cyborgs

Reactions:
Alice does not scream, cry, whimper or moan. She absorbs the punches, containing her suffering, groaning, gasping and exhaling, like Jane.

Camera takes:
Camera stays close to Alice, making close-ups of her stomach, the punches and her faces, from as many angles and positions as possible.

Sequence 1
Action Alice’s reactions Camera
Alice is standing, back against the wall, hands cuffed behind her back. A voice in off says “Agent Alice, your abdomen’s resistance is going to be tried by our Cyborgs. We will measure your resistance time to choose the best agent for our next mission”. Alice smiles, defiantly. “Agent Alice, are you ready?”. She says “I am”. The voice says “Cyborgs: start”. The Cyborgs start punching her stomach with uppercuts, one punch each. Alice resists well the first punches, but after 3-4, the blows to her abdomen start to take toll. Even though she tries to hold her body together, she doubles forward more and more with each punch. At every new punch, she doubles, and then air is exhaled out of her body. She soon gets winded, producing shorter, softer sounds. She doesn’t moan, but her face shows some suffering. The Cyborgs straighten her up and keep punching her stomach, until one punch definitely cuts her breath and she goes to her knees, and then doubles forward, hair almost touching the floor, trying to regain her breath. Slowly approaching Alice, then close-ups of her stomach and face. When she goes down, close-up of her suffering face.

Sequence 2
Action Alice’s reactions Camera
The voice in off says “Agent Alice, you have to do better to meet the standards”. She straightens up and replies “I… will…”. The voice in off replies “Cyborgs: pin her back against the wall, spread her arms and resume the punching, stepping up the pace”. The Cyborgs do as they are told, come close to Alice, and start to deliver deep uppercuts into her stomach again, one each, a bit faster than before. The punches quickly devastate Alice’s resistance, head lolling, eyes rolling, as the Cyborgs punch deeper and deeper into her. She produces shorter and shorter sounds, showing she is winded. For a couple of minutes she doesn’t fall, but she slowly becomes dead weight. When she starts to lose composure and look nauseous, the Cyborgs let her go down. She slides down and sits on the floor, wrapping her arms around her stomach, eyes shut, softly coughing a couple of times. Close-ups of her stomach and the punches, showing how they enter deeper into her, alternated with close-ups of her face, particularly when she goes down.

Sequence 3
Action Alice’s reactions Camera
The voice in off says “Agent Alice, can you go on?”. Alice tries to regain control, slowly standing up, still covering her belly, trying to regain her breath. She says “You… can… con… tinue…”. The voice in off says “Cyborg one, hold her. Cyborg two, short continued uppercuts”. The Cyborgs do as they are told, one lying his back against the wall and holding Alice’s arms, while the other starts driving short uppercuts into her stomach, one per second. Alice is a ragdoll, but she is resilient and enough not to faint. Her legs don’t hold her anymore, and her chin rests on the punching Cyborg’s shoulder, eyes semi-shut. She is not in control of her body anymore, sighing and exhaling. The Cyborg’s punches go deep inside her ribcage, and we can see Alice’s face wincing, her mouth forming an “O”. At a certain moment she says “my… stomach…” (¿jaludek, not jibot?). The voice in off goes “Cyborg, deeper punches”. The Cyborg places his fist against Alice and starts pumping in. Alice shudders with each penetration, air accumulating in her cheeks, rapidly losing composure. When she seems to be almost out, the Cyborgs let her go to the floor. Lots of close-ups of Alice’s stomach being punched and her facial reactions. Takes from the sides and from below (camera situated at Cyborgs knee-height).

Sequence 4
Action Alice’s reactions Camera
Alice is sitting in the sofa, arms open and pinned by the cyborgs (like Jane and Jessica in my last customs). The voice in off says “Agent Alice, are you ready to go on?”. She says “Wait… let me… recover…”. The voice in off says “All right, but no pauses. Cyborgs: continue working her stomach over reducing speed”. Alice is exhausted, and her abdominals are unable to protect her anymore. She endures the punches with resignation, as her oxygen is forced off her. Eventually, she says “my… stomach…”. But the voice in off goes “Cyborgs, don’t stop”. Each punch makes Alice freeze, double as much as the position will allow, then exhale air. As the punching continues, Alice’s reactions show her growing pain. When she shows signs of being about to faint, the Cyborgs let her go. Alice slowly lies down on the sofa, her side, grabbing her stomach with both hands, containing the suffering, as in a menstrual cramps pain. All the sequence is filmed with close-ups of Alice’s stomach and face. As the punching continues the camera turns to POV style, then goes back to first plans of Alice’s contained suffering face.

Sequence 5
Action Alice’s reactions Camera
Alice is flat on the floor or on a yoga mat, hands pinned above her head, one cyborg at each side. The voice in off says “Agent Alice, are you ready for the final protocol?”. She says “I… am…”. The voice in off says “Cyborgs: finish-off protocol. Deep punches in the pit of her stomach until she passes out”. Alice has no more abdominal resistance, and she is awake only by the force of her will. Her head is thrown back, eyes rolling, slowly shutting. Her back is flat against the mat/floor, midsection becoming perfectly concave. The transition of her reactions, if possible, are (1) short “hiccup-like” sounds, showing the punches are penetrating her last defences; (2) gasping, as the punches push the rest of the air out of her system; and (3) only softer and softer sighs and exhalations; (4) only body shaking, and a trickle of water starts to fall from the side of her mouth. Eventually, she says “my… stomach… stop…”. But the voice in off goes “Not until you faint”. “Cyborgs, finish her”. The punching continues, and Alice’s body slowly shuts down, drool (water) trickling from the side of her mouth. All the sequence is filmed with close-ups of Alice’s torso and face. Takes from the sides, from above (POV style), and from Alice’s head towards her stomach (as if she was watching the punching).